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Located in Kalkaji in the south of Delhi,
it is lotus shaped and has rightly been given the name. It
is made of marble, cement, dolomite and sand. It is open to
all faiths and is an ideal place for meditation and
obtaining peace and tranquility.
It is a very recent architectural marvel of the Bahai faith.
The Bahá'í Faith is the youngest of the world's independent
religions. Its founder, Bahá'u'lláh (1817-1892), is regarded
by Bahá'ís as the most recent in the line of Messengers of
God
that stretches back beyond recorded time and that includes
Abraham, Moses, Buddha, Zoroaster, Christ and Muhammad. The
central theme of Bahá'u'lláh's message is that humanity is
one single race and that the day has come for its
unification in one global society. God, Bahá'u'lláh said,
has set in motion historical forces that are breaking down
traditional barriers of race, class, creed, and nation and
that will, in time, give birth to a universal civilization.
The principal challenge facing the peoples of the earth is
to accept the fact of their oneness and to assist the
processes of unification.
THE GRAND STRUCTURE
Fariborz Sahba, Canadian architect of Iranian origin, spent
10 years in designing and project management, and with the
help of a team of about 800 engineers, technicians, artisans
and workers brought to realization one of the most
complicated constructions in the world. The structure of the
House is composed of three ranks of nine petals; each
springing from a podium elevating the building above the
surrounding plain. The first two ranks curve inward,
embracing the inner dome; the third layer curves outward to
form canopies over the nine entrances. The petals,
constructed of reinforced white concrete cast in place, are
clad in white marble panels, performed to surface profiles
and patterns related to the geometry. Nine arches that
provide the main support for the superstructure ring the
central hall. Nine reflecting pools surround the building on
the outside, their form suggesting the green leaves of the
lotus flower. Translating the geometry of the design, in
which there are virtually no straight lines, into the actual
structure presented particular challenges in designing and
erecting the framework. Not only was it difficult to align,
so as to produce accurately the complex double-curved
surfaces and their intersections, but also the closeness of
the petals severely restricted workspace. Nevertheless the
task was carried out entirely by the local laborers. |
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Thanks to each one who
contributed in its construction. To avoid construction
joints, petals were concreted in a continuous
operation for approximately 48 hours. Concrete was
carried up the staging by women bearing 50-pound loads
in baskets balanced on their heads. All the steel
reinforcing for the shells of the lotus petals was
galvanized to avoid rust stains on the white concrete
in the prevailing humid conditions, guaranteeing the
life of the delicate shell structure of 6 to 18 cm
thick shells of the petals. India is well endowed with
human resources.
SIGNIFICANCE OF THE DESIGN
The lotus represents the Manifestation of God, and is
also a symbol of purity and tenderness. Its
significance is deeply rooted in the minds and hearts
of the Indians. In the epic poem Mahabharata, the
Creator Brahma is described as having sprung from the
lotus that grew out of Lord Vishnu's navel when that
deity lay absorbed in meditation, There is a deep and
universal reverence for the lotus, which is regarded
as a sacred flower associated with worship throughout
many centuries. In Buddhist folklore the Boddhisatva
Avalokiteswara is represented as born from a lotus,
and is usually depicted as standing or sitting on a
lotus pedestal and holding a lotus bloom in his hand.
Buddhists glorify him in their prayers, "Om Mani Padme
Hum", "Yea, 0 Jewel in the Lotus!" Lord Buddha says
you have to be like a lotus which, although living in
dirty water, still remains beautiful and undefiled by
its surroundings. So, we realise that the lotus is
associated with worship, and has been a part of the
life and thoughts of Indians through the ages. It will
seem to them as though they have been worshipping in
this Temple in their dreams for years. Now their
vision has become a reality and. God willing, some day
they will all enter and worship in it. History of the
Bahá'í Faith in India: The history of the Bahá'í Faith
in India started with the inception of the Faith in
Iran when the Báb (literally, the Gate) inaugurated a
new era in the history of the human race. The Báb
Himself had appointed one of the Indian believers as
the 'Letter of Living' in 1844-45, the first year of
His Ministry. Since then, India is spiritually
connected with the Bahái Faith.
As foretold by the Báb, the Promised One of all ages
and peoples, Baháulláh (literally the Glory of God)
revealed Himself in 1863. He, Himself, dispatched one
of the distinguished Bahá'í teachers, Jamal Effendi,
to teach the Cause of God in the years 1874-75. Jamal
Effendi (left) traveled to many States and was
successful in attracting many learned people and few
Navaabs (ruler of the states) including the Navaab of
Rampur State (now in U.P.) to the Faith. One young man
who accepted was Syed Mustafa Roumi who later became
distinguished in his manifold services and was
appointed as a Hand of the Cause of God. Some of them
accepted Baháulláh as the Universal Manifestation of
God whose advent has been prophesied in all the Holy
Scriptures. The other teachers who came to India
during Baháulláh's Ministry included Mishkin Qalam,
the distinguished Bahá'í Calligrapher. A series of
teachers from the East and the West continued visiting
India and traveling throughout the country during the
time of Abdul-Bahá (literally, the Servant of Bahá),
the much-loved Master of the Bahá'í Faith. Prominent
among them were Mirza Mahram and Mirza Mahmud Zarqani. |
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